Is it just me, or is there more and more sweat in romance novels? I mean this both in terms of the sheer quantity of it and how soon it tends to appear in the proceedings. I’m sure there used to be small quantities that appeared late in the proceedings.
Not now.
Take two books I’ve read recently:

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(1) The Tycoon’s Pregnant Mistress by Maya Banks
This one is a good example of how quickly sweat enters the agenda:

‘I want to touch you, Chrysander’ she said softly. She placed her palms on the top of his thick legs and smoothed them slowly upwards.
His eyes smoldered and sparked. ‘Then by all means, touch me, agape mou.’
With a little nervousness, she touched his male flesh and he jerked in reaction. Feeling a little bolder, she wrapped her fingers around the turgid length and stroked lightly.
A groan worked from his throat and she could see sweat beading on his brow.

The sweat appears before anything much has really happened at all here. She sits on him, touches his penis and suddenly he’s sweating?

I’m not sure if the suggestion here is that the sweat glands are physiologically connected to the hero’s penis or if they are psychologically linked to the hero’s self control. I suspect the latter given that a few sentences later, after the heroine has kissed his ‘taut abdomen’ and touched his ‘flat nipples’ he penetrates her with the epithet ‘You are killing me, pedhaki mou!’

Killing him?

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(2) Untouched by Anna Campbell
This book seemed to have several references to sweat in every sex scene, leaving me with the impression of them practically wading it. Like here:

Lord Erith sprawled at Olivia’s side without speaking, his head buried in the pillow. She couldn’t see his face but his black hair was limp with perspiration and the bare skin of his back glistened…The air was sharp with sex and sweat.

And here:

Poignant tenderness filled her. Her hands began to play on his sweat-sheened back. He made a sound deep in his throat like a lion’s satisfied growl. When he buried his head in her shoulder, his damp hair pleasantly tickled the side of her neck… The room reeked of sweat and sex.

And here:

She opened tear-filled eyes to see him poised above her, his head flung back, his hair damp with sweat, his face taut…. His chest heaved as he struggled for air…His black hair was disheveled and a lock fell over his forehead. His clothes were crushed and damp with sweat.

These happen to be recent reads but it’s something I’ve noticed a lot over the last couple of years.

So is sweat: a turn on or off? Good writing should invoke all of senses, yes? So does a description of a hot and sweaty man make you think: Hmmmmmmm or yuuuuuuurrrrrrrrgh?

The science supports the turn-on theory. An experiment in 2000 asked female students to judge the looks of various men in pictures. The first time, this was done with no stimulants present. Then a cloth soaked in male sweat was placed in the room and the experiment repeated: men judged unattractive the first time were scored higher the second time around. Even those judged the least attractive in the first viewing benefited from a higher score.

But how does this translate to the reading experience? Speaking personally, if the writer is talking about the smell and look of sweat, I’m pretty cool with it. I think it probably does invoke the right senses and heighten the atmosphere for me. However, if the words concentrate overmuch on the feeling of wetness, I find it a lot less appealing. Funny isn’t it? Invoke one sense and I’m right there, invoke another and you lose me.

What do you think?

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