William Blake, Europe Supported By Africa and America, 1796

(I know a lot of you have been over this, but I started this blog to work some things out for myself, and that’s what I’m doing here. Apologies for reinventing the wheel, but it’s my speciality!)

Arguments against:


1. Reviews should be as objective as possible. You can’t really be unbiased when you review a friend’s book: you’ll see the book through friend-colored glasses. Eliminating this source of bias makes the review better and more valuable.

2. Bias may not affect your assessment of the book, but your concern for your friend’s feelings may affect how you write the review (you might soften your tone, avoid the snarky critique you are known for, try to highlight the positives a bit too eagerly, etc.). Readers depend on honest reviews, and pulling your punches when you normally wouldn’t, is dishonest.

2b. The main problem is not dishonesty, but fairness: you might be able write a negative review of a friend’s book, but will you be softer on your friend than you would on an equally bad book by a stranger?

Maili, who posted on this in 2005 at Romancing the Blog commented:

I don’t see it as a conflict of interest whenever a reviewer reviews a friend’s book, but it does become a conflict of interest when the reviewer slanted it to prevent hurting the friend’s feelings. This is not exclusive to the romance genre, of course, but it’s an issue that needs to be addressed or at least, acknowledged.

3. Regardless of whether being friends with the author actually causes the problems described in 1 or 2 above, there is the appearance of a conflict of interest, which damages the credibility of the review, the review site, and perhaps — if widespread — of the genre.

On this point, also at RtB, Teresa commented:

One of my rules is I don’t accept books from friends for review withOUT securing their agreement that I will give my honest opinion. And even then, I rarely review books of people I’m friendly with, to avoid even the appearance of my positive words being bought.

Arguments in favor:

1. Bias? What bias? It’s possible to review a friend’s book without bias.

In defense of this view, at RtB Cindy wrote:

I have author friends and reader friends as well. I don’t see it as a conflict of interest if I review a friends’ book, as long as I’m honest about it.

2. Bias? We love bias! Bring it on! Forget trying to eliminate bias, because book reviews are subjective, period. If it’s not this particular bias, it’s some other one. And those subjective aspects may actually enhance the review.

A 2005 Slate article, Fair is Square: the Case for Biased Book Reviews, contends that reviewing with a personal stake (positive or negative) makes for a better review:

The point of a book review isn’t to review worthy books fairly, it’s to publish good pieces. Better to assign a team of lively-but-conflicted writers to review a slew of rotten books than a gang of dullards to the most deserving releases of the season.

3. What counts as a “friend”? Romancelandia is a small world. Many bloggers are published or aspiring authors. Everyone knows everyone else, at least virtually. It would be impossible to require that reviewers have no relationship to authors they review.

For fun, here’s a litmus test from the New York Times,

Mr. Harris uses a simple test to determine whether a relationship between a potential reviewer and the author is too close: “Do you know the names of her children?” If the reviewer knows the names? “It’s not good.”

But how useful is this test when the author has pictures and names of her kids on her blog?

Is someone you’ve exchanged emails with a “friend”?

4. Maybe it affects your review for the worse, maybe it doesn’t. But we’re just hobbyists, not professional journalists, for pete’s sake. Get over yourself. Who cares?

Here’s my (provisional) take:

There are two separate, but related, issues:

(1) Should you do it?

(2) if you do it, should you disclose the relationship to the reader?

(2b) How do you know when you should disclose?

As to (1), while I have argued elsewhere for objectivity in reviews, I have never claimed that reviews can be purely objective.  I agree with the Slate article: Sometimes the subjective aspects of reviews are the most important, or at least most interesting, parts. So, a blanket condemnation of the practice seems way too strong.

Actually, for my money, the most troubling objection to reviewing a friend’s book is the unfairness objection. I love to read snarky reviews, but I sometimes wonder, “Would she have written it this way if she had had drinks with the author at the RWA last summer? Or if she’s Twittering away with this author, exchanging baby care tips?” My own view is that snark should be employed in an equal opportunity manner.

I think you can write a good, helpful review of a friend’s book — indeed, you might have some really unique insights that other reviewers don’t –  but should you disclose the relationship?

I think so, but why? Maybe not disclosing is a kind of lie by omission –although that seems a bit strong — but I know that if I read a glowing review, and then find out later that the writer and author are friends, I feel a bit put out.

Maybe you should disclose to avoid the appearance of a COI? I’m not sure about that either, because if blogging is not professional, then who cares of you’ve got conflict up the wazoo? Do you owe your readers anything when it’s you, your cat, and your 5 subscribers (sorry — me, my cat, and my 5 subscribers)?

The “transparency” approach is encapsulated in the penultimate paragraphs of Janine’s wonderfully thoughtful and wide ranging post in early 2008 at Dear Author on the ethical dilemmas faced by author-reviewers:

The reason I’m disclosing the fact that I aspire to be a romance author isn’t because I’ve suddenly become courageous. It’s because I have two friends who are about a month away from being published for the first time. Sherry Thomas and Meredith Duran aren’t just my friends, they are also my critique partners.

At one time, I thought that I could, if I disclosed my friendship with them, and if another reviewer offered a second opinion, review Meredith and Sherry’s books (The Duke of Shadows and Private Arrangements, respectively). But as their publication date has neared, I’ve become more uneasy with doing so. It could be argued, I think, that I have a conflict of interest, and I don’t want my actions to reflect badly on Dear Author.

And so, I have decided not to formally review Sherry or Meredith’s books, and to disclose my relationship with them so that if I comment on the reviews of their books in the comment sections, or mention that I think both Sherry and Meredith are immensely talented (as I do) you can all decide for yourselves whether or not to take what I say with a grain or more of salt. It seems to me that transparency is the best way to take an ethical approach to the situation.

I agree with Janine. I’m inclined to think transparency is the right solution, but then I wonder if there’s a problem in figuring out exactly when you have a duty to disclose.

How about if you shared a few emails with an author? Or you follow her on Twitter? Or you did have drinks with her once, but there were ten other people there and you didn’t even sit together?

My rough suggestion would be: if it occurs to you, as you prepare your review, that your relationship with the writer may be relevant, or if you find yourself thinking about it as you write, then probably you ought to mention it in the review.

Anyway, that’s what feels good to me at this typing. (Right, kitty?)

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