That’s a deliberately leading blog post title.  I’m sure it wasn’t one person, but rather a group of people responding to a lot of diverse cultural influences, many of those outside literature. But I was wondering all the same.

As romance readers, we have such a good grasp of the classics — even if we haven’t actually read them. But what are the first, classic paranormal romances?

I know there have been a lot of debates over the question of what the definition of Paranormal Romance is (like, is it romance if the relationship continues for several books? Nope, according to the geneaology by SF writer Cynthia Ward — see below), as well as how to categorize borderline cases. Is it really paranormal if there’s no tension between the fantastic and the realistic? Nope, argues Sarah Frantz of Teach Me Tonight). I think the question of who is doing the defining is also interesting (so, for example, does the RWA get to define romance? Or do readers?  Is it true that behind every effective definition is an effective use of power?).

But, in a move that shocks the hell out of myself, I am not seeking a set of necessary and sufficient conditions for “Paranormal Romance”, nor am I interested in the complete extension of the term (i.e. a list of all the books to which the definition accurately applies). I’m happy enough with a set of related meanings we can trace through similarities, overlappings and criss crossings of the use of the term in its many manifestations.

So, using your intuitive/common sense grasp of what a Paranormal Romance is, can you tell me what the classics are? Who started writing what most folks would now call Paranormal Romance first, and what are the best examples (these might be different lists)?

Here’s what Ward says about it (you need to register to read the full article, which was published in Fall 2006, but it’s free). I’m indebted to a great post at Bookdaze for even knowing about the Ward piece.):

“Looking back, a recent Publishers Weekly article states that “[t]he first paranormal romance read by many contemporary readers was Rita Clay Estrada’s The Ivory Key, a Harlequin Temptation published in the early 1980s.” The earliest publication date I’ve been able to locate for this title is 1987. If that’s the book’s original publication date, then it isn’t the first paranormal romance published in the romance genre.
Though not identified as either at the time, the romance genre’s first known paranormal romance is also its first “futuristic” (i.e., SF) romance. This novel is Sweet Starfire (1986), written by Jayne Ann Krentz, who’s become the biggest and most influential name in futuristic romance, as well as a bestselling author of contemporary, non-paranormal romance….
In 1992, the Romance Writers of America added a “Futuristic/Fantasy/Paranormal” category to their RITA Awards, which they awarded to Justine Davis’s Angel for Hire (1991). Interestingly, they awarded “Best Romance” to Diana Gabaldon’s bestselling and highly influential time-travel romance, Outlander (1991).

Here’s another candidate:

“Nancy Collins created a character named Sonja Blue in 1989. If I were going to give the title to anyone, it would be her. Sonja is a vampire hunter that is a vampire herself, not unlike Anita Blake. In fact I find striking similarities between the two. If you haven’t read them, I would suggest you try and find a copy…they are worth the read.” From TheGhost, a contributor at a Barnes and Nobel discussion.

What do you think? What should I read if I want to read the “classics” of paranormal romance (and I do!)?

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